The Chicago Alternative Comics Expo is very excited to announce our 2019 poster artist, Marnie Galloway!
Marnie Galloway is a cartoonist and artist working in Chicago. Her first graphic novel, In the Sounds and Seas, was collected by One Peace Books in 2016 from a Xeric Award winning series. Other comics of note include Burrow (2016), Particle/Wave (2016), and Slightly Plural (2018).
Marnie is also a former organizer of CAKE, and championed the creation of our Cupcake Award, which spotlights upcoming talent in indie comics. This year Marnie is also serving as mentor for Cupcake recipient, Diana H. Chu.
Stay tuned for more artwork from Marnie and updates on CAKE 2019, June 1st-2nd at Center on Halsted.
June 11th, 1:30–2:30 p.m.Visual Recipes: The Art of Instructional Comics
Do you have a special skill, piece of secret knowledge, family recipe, or weird trick that just has to be shared with the world? Learn how to simply and clearly teach it through the medium of comics. Jessi Zabarsky, who accomplished this very feat in her comic I Want To Eat Everything, will guide participants through the process, showing what it takes to create beautiful and comprehensible instructional comics, using techniques that will help artists make better comics in any genre.This workshop is sponsored by Revolution Brewing and is appropriate for all ages.
June 11th, 3:00–4:00 p.m. Signs of the Times: Abstracting Adaptation
Ron Regé, Jr., is best known for his adaptations of mystical and esoteric texts (The Cartoon Utopia, What Parsifal Saw), but throughout his career he has maintained an interest in the here and now, reflecting on the contemporary political climate. His most recent work, the Regé Deck, a set of cards for divination, responds to current events by reinterpreting Expressionist drawings made by Herman Rosse for Ben Hecht’s 1920s column 1001 Afternoons in Chicago. Regé will describe how he created this project and lead participants through the same process of concentrating complex ideas into the simplest possible statements, using images from the past to wrestle with the present—and maybe create a better future.This workshop is sponsored by Spudnik Press.
This year, as right-wing extremism has produced a reality-television presidency, Brexit, and the specter of a neo-Nazi-led France, the question emerges: Can activism manifest as art? In this panel discussion, cartoonists Leila Abdelrazaq,Ben Passmore, Isabella Rotman, and Bianca Xunise will address how comics can galvanize populations to action. Although these artists address varied issues in their work—black alienation, the Palestinian diaspora, sexuality, and intersectionality, to name just a few—their comics are united by their political engagement and how they use the medium to reflect, and critique, society.
You can get free stuff at CAKE 2017 just for buying comics! What?!
It’s true! When you get your program from the info booth upon entering, there will be a detachable punch card. When you buy something from an artist, have them write down their name and the price of what you bought. The more stuff you buy, the more free things you get.
$15-25: A show poster and a set of CAKE buttons!
$26-65: A show poster, a set of buttons, and a set of stickers!
June 10th, 3:00–4:00 p.m. Fantagraphics 40th Anniversary Spotlight
Since its founding in 1976 by Gary Groth and Mike Catron (who were joined a year later by Kim Thompson), Fantagraphics has been changing the landscape of comics. In addition to championing work by many of the greatest alternative cartoonists of all time, such as Dan Clowes, the Hernandez Brothers, Carol Tyler, and many more, Fantagraphics has issued comics reprints that archive the history of the medium that might otherwise have been lost and has provided, in The Comics Journal, a venue for critical inquiry into the form long before comics studies was an academic discipline. We Told You So: Comics As Art collects the oral history of this influential company, assembled by comics historian and critic Tom Spurgeon (with co-author Michael Dean). Spurgeon, the editor and founder of the award-winning Comics Reporter website and festival director of Cartoon Crossroads Columbus, will present a slideshow outlining the history of Fantagraphics and its position in the alternative comics movement. He will be joined by cartoonists Ivan Brunetti (Schizo, Misery Loves Comedy), Anya Davidson (Band For Life) and Noah Van Sciver(Disquiet, Saint Cole).
According to an old maxim, all cartoonists lavish attention on either their characters or their settings, but not both. The work of Emil Ferris, Sophie Goldstein, Laura Knetzger, and Mita Mahato give the lie to this assertion because, in their comics, place is itself a character. Through the use of highly rendered drawings that overtake the page (Ferris), dense cut-paper landscapes (Mahato), a forest that represents the joy and mystery of discovery and growth (Knetzger) or deadly and deceptively destitute dystopias (Goldstein), these artists make their stories’ settings come alive. They are joined in conversation by moderator Rob Clough, a comics critic who writes primarily for The Comics Journal and High-Low.This panel is sponsored by Blick.
June 10th, 12:00–1:00 p.m.My So-Called Cartoon Life: Alter Egos with Celia Marquis
Comics is a great medium for telling personal stories, be they funny, contemplative, or traumatic. In comics narratives, authors’ alter egos may resemble them physically and/or psychologically, but they may also possess traits that their makers don’t have or that are exaggerated for various reasons. Join TRANSIT recipient Celia Marquis, a Montreal-based cartoonist, as she guides you through the process she uses to develop her own alter egos and then leads you through exercises to conceptualize your own. This workshop is sponsored by Cream Wine.