R. Sikoryak In Conversation with Charles C. Valauskas July 11th, Quimby’s

July 9, 2017

Tuesday, July 11th at 7 PM – 8 PM

Quimby’s Bookstore

1854 W North Ave, Chicago, Illinois 60622

 

In the new graphic novel Terms & Conditions (Drawn & Quarterly), R. Sikoryak tackles the monstrously and infamously dense legal document, iTunes Terms and Conditions, the contract everyone agrees to but no one reads. In a word for word 94-page adaptation, Sikoryak hilariously turns the agreement on its head – each page features an avatar of Apple cofounder and legendary visionary Steve Jobs juxtaposed with a different classic strip such as Mort Walker’s Beatle Bailey, or a contemporary graphic novel such as Craig Thompson’s Blankets or Marjane Satrapi’s Persepolis.

“Mischievous, pastiche-heavy artist Robert Sikoryak…upped the difficulty level for his long-term conceptual project: Instead of abridging a book, he lifted the complete text of Apple’s mind-numbing corporate boilerplate, which users must agree to before accessing iTunes, and mashed it up with art invoking more than a century of comics.”—New York Times

R. Sikoryak is the author of Masterpiece Comics (Drawn & Quarterly). His comics and illustrations have appeared in the New Yorker, The Onion, GQ, MAD, SpongeBob Comics, and Nickelodeon Magazine, as well as on The Daily Show with Jon Stewart. Sikoryak is in the speakers program of the New York Council of the Humanities, and he teaches in the illustration department at Parsons The New School for Design and at The Center for Cartoon Studies. He lives in New York City with his wife, Kriota Willberg.

Charles C. Valauskas is legal counsel to domestic and foreign companies, new ventures, and universities and research foundations. Mr. Valauskas speaks on a regular basis throughout the world on technological and intellectual property topics. He has appeared in articles published in publications including the New York Times, the Wall Street Journal, the ABA Journal, and Food & Wine.

More info: quimbys.com

Workshop: Visual Recipes: The Art of Instructional Comics

June 8, 2017

June 11th, 1:30–2:30 p.m.  Visual Recipes: The Art of Instructional Comics

Do you have a special skill, piece of secret knowledge, family recipe, or weird trick that just has to be shared with the world? Learn how to simply and clearly teach it through the medium of comics. Jessi Zabarsky, who accomplished this very feat in her comic I Want To Eat Everything, will guide participants through the process, showing what it takes to create beautiful and comprehensible instructional comics, using techniques that will help artists make better comics in any genre.  This workshop is sponsored by Revolution Brewing and is appropriate for all ages.

Workshop: Signs of the Times: Abstracting Adaptation

June 8, 2017

June 11th, 3:00–4:00 p.m. Signs of the Times: Abstracting Adaptation

Ron Regé, Jr., is best known for his adaptations of mystical and esoteric texts (The Cartoon Utopia, What Parsifal Saw), but throughout his career he has maintained an interest in the here and now, reflecting on the contemporary political climate. His most recent work, the Regé Deck, a set of cards for divination, responds to current events by reinterpreting Expressionist drawings made by Herman Rosse for Ben Hecht’s 1920s column 1001 Afternoons in Chicago. Regé will describe how he created this project and lead participants through the same process of concentrating complex ideas into the simplest possible statements, using images from the past to wrestle with the present—and maybe create a better future.  This workshop is sponsored by Spudnik Press.

Panel: Comics and Resistance

June 8, 2017

June 11th, 11:30–12:30 p.m. Comics and Resistance

This year, as right-wing extremism has produced a reality-television presidency, Brexit, and the specter of a neo-Nazi-led France, the question emerges: Can activism manifest as art? In this panel discussion, cartoonists Leila Abdelrazaq,  Ben Passmore, Isabella Rotman, and Bianca Xunise will address how comics can galvanize populations to action. Although these artists address varied issues in their work—black alienation, the Palestinian diaspora, sexuality, and intersectionality, to name just a few—their comics are united by their political engagement and how they use the medium to reflect, and critique, society.

This panel is sponsored by Perfectly Acceptable Press.

What’s a punch card?

June 3, 2017

You can get free stuff at CAKE 2017 just for buying comics! What?!

It’s true! When you get your program from the info booth upon entering, there will be a detachable punch card. When you buy something from an artist, have them write down their name and the price of what you bought. The more stuff you buy, the more free things you get.

$15-25: A show poster and a set of CAKE buttons!

$26-65: A show poster, a set of buttons, and a set of stickers!

$66+: Receive everything, plus a limited edition risograph print by BEN PASSMORE, printed by Perfectly Acceptable Press!

Panel: Fantagraphics 40th Anniversary

June 1, 2017

June 10th, 3:00–4:00 p.m. Fantagraphics 40th Anniversary Spotlight

Since its founding in 1976 by Gary Groth and Mike Catron (who were joined a year later by Kim Thompson), Fantagraphics has been changing the landscape of comics. In addition to championing work by many of the greatest alternative cartoonists of all time, such as Dan Clowes, the Hernandez Brothers, Carol Tyler, and many more, Fantagraphics has issued comics reprints that archive the history of the medium that might otherwise have been lost and has provided, in The Comics Journal, a venue for critical inquiry into the form long before comics studies was an academic discipline. We Told You So: Comics As Art collects the oral history of this influential company, assembled by comics historian and critic Tom Spurgeon (with co-author Michael Dean). Spurgeon, the editor and founder of the award-winning Comics Reporter website and festival director of Cartoon Crossroads Columbus, will present a slideshow outlining the history of Fantagraphics and its position in the alternative comics movement. He will be joined by cartoonists Ivan Brunetti (Schizo, Misery Loves Comedy), Anya Davidson (Band For Life) and Noah Van Sciver (Disquiet, Saint Cole).

This panel is sponsored by Fantagraphics.

Panel: Place as Character

June 1, 2017

June 11th, 3:00–4:00 p.m. Place as Character

According to an old maxim, all cartoonists lavish attention on either their characters or their settings, but not both. The work of Emil Ferris, Sophie Goldstein, Laura Knetzger, and Mita Mahato give the lie to this assertion because, in their comics, place is itself a character. Through the use of highly rendered drawings that overtake the page (Ferris), dense cut-paper landscapes (Mahato), a forest that represents the joy and mystery of discovery and growth (Knetzger) or deadly and deceptively destitute dystopias (Goldstein), these artists make their stories’ settings come alive. They are joined in conversation by moderator Rob Clough, a comics critic who writes primarily for The Comics Journal and High-Low.  This panel is sponsored by Blick.

Workshop: My So-Called Cartoon Life

June 1, 2017

June 10th, 12:00–1:00 p.m.  My So-Called Cartoon Life: Alter Egos with Celia Marquis

Comics is a great medium for telling personal stories, be they funny, contemplative, or traumatic. In comics narratives, authors’ alter egos may resemble them physically and/or psychologically, but they may also possess traits that their makers don’t have or that are exaggerated for various reasons. Join TRANSIT recipient Celia Marquis, a Montreal-based cartoonist, as she guides you through the process she uses to  develop her own alter egos and then leads you through exercises to conceptualize your own.  This workshop is sponsored by Cream Wine.